早在公元400多年的南北朝,《食珍錄》中即有“炙鴨”字樣出現,歷經宋、元,成為明、清宮廷的美味,后逐步由皇宮傳到民間。 至當下,當我們反觀歷史的時候,感受到味覺的歲月迭變的同時,也對空間有了新的認知。唐廊烤鴨店位于中糧祥云小鎮——由設計師吳為傾力打造,從傳統的飲食文化出發,由材質、色彩、藝術等不同方向由淺入深,循序漸進,力求打造一個飽具藝術氣息的餐飲空間。

As early as the Northern and Southern Dynasties of the AD for more than 400 years, the words "炙鴨" appeared in "Jie Zhen Lu". After the Song and Yuan, it became the delicious taste of the Ming and Qing courts, and then gradually spread from the palace to the folk. At the moment, when we look back at history, we feel that the years of taste have changed, and we have a new understanding of space. Tanglang Roast Duck Restaurant is located in Xiangyun Town, COFCO. It is created by designer Wu Wei. Starting from the traditional food culture, the material, color, art and other directions are from shallow to deep, step by step, and strive to create an artistic atmosphere. Dining space.


If the living room is warm and comfortable, then the dining space must be a sorghum and bright, and the designer uses it in a different way. The large area of the space is spread in neutral tones, and the quiet peacock blue is calm. The Chinese red, full-featured metallic color creates the tone of the entire space. The unity, contrast, harmony and pulsation between the textures are all in every detail. Every time the delicate and delicate eyes are dropped, it also echoes the attention of the Chinese dishes in the color and flavor, so that the ritual feeling of eating is good. Health. In Tang Lang, the atmosphere of the space is enthusiasm and unremarkable, friendly and not a market well, and the diners are in it. In the design language, the relationship between the dotted lines is perfectly interpreted in the hands of the designer, the layering of the space, the contrast between the colors, and the contrast of the textures are all in one room.

步入餐廳,一層主要作為公共空間使用,以散坐形式存在,中心區域特別設置了中央水景,這就有引申出空間的另一層涵義,寓餐飲于景觀之中——陶冶心性。拾階而上,天花上傾瀉而下的“搟面杖”裝置如山水連綿起伏,長長短短之間,充滿趣味,似乎只有在這樣的環境中,才能將回憶展開,娓娓道來……美國著名建筑師弗蘭克·勞埃德·賴特曾經說過:“ 木材是最有人情味的材料 ” 的確,木材質感溫潤細膩,極具親和力,是大自然賜予人類珍貴的禮物。二樓延續一樓的主色調,整體空間靜謐而舒適,一側靠窗的位置充分保證室內的光線,便隨著天花藝術裝置灑落而下,空間便框出一幅活色生香的畫面。二層墻面上吊掛了四幅江南木雕花板,是業主無意間收來的舊時精致之物,置于當下的現代環境之中,時空間的轉變,帶出更多的意味,也為空間中添加了懷舊之感。


Step into the restaurant, the first floor is mainly used as a public space, in the form of scattered sitting, the central area is specially set up with a central water feature, which has another meaning that extends the space, and catering in the landscape - edifying the heart. Stepping up, the "squeezing stick" device that falls down on the ceiling is like a landscape, and it is full of fun. It seems that only in such an environment can the memories be unfolded, and the United States is famous. Architect Frank Lloyd Wright once said: “Wood is the most human material.” Indeed, the wood has a warm, delicate texture and is very affable. It is a precious gift from nature. The second floor continues the main color of the first floor. The overall space is quiet and comfortable. The position of the window on one side fully guarantees the light in the room. With the ceiling of the ceiling art installation, the space will frame a vivid picture. Four pieces of Jiangnan wood carving panels are hung on the second floor. It is an old-fashioned and exquisite object that the owner unintentionally receives. It is placed in the modern environment of the moment. The change of time and space brings out more meaning and space. Added a sense of nostalgia.


The tranquility of the wood and the tranquility of the green bricks add to the elegance, simplicity and tranquility of the bricks. The city is isolated from the hustle and bustle, calming and rejuvenating, creating a “hidden city” Taoyuan, bringing a unique dining experience. "Elephant invisible" seems to be only the ancient wood color can be strongly contrasted and impacted with the formation of modern space, thus forming a strong drama effect. The wine racks are arranged in an orderly manner, and they are neatly arranged, and the rear space forms a sense of staggering, and the plane and the three-dimensional form complement each other. In addition, it is also used as a partition to separate the space. The biggest surprise on the second floor is the small ballroom at the end of the end. It can be used as a meeting place. The wall uses a texture paint to bring the glimpse of the red wall of the Forbidden Palace into the room. The time-baptized brick red will bring the color atmosphere inside the hall. Rendering.


Retiring into the public area, this red wall has also become the visual focus of reconciling the overall spatial tone of the second floor. Designing the traditional private dining room as a small banquet hall, it also upgrades the traditional catering service function, which is equipped with modern audio-visual equipment to meet the current personalized consumer demand. The private room guarantees the user's privacy and forms a unique visual sense. Different grids will be displayed in different ages. In this case, the historical attitude will be matched with life. The wall decoration uses a lattice door leaf that has been removed from the old building. The old one retains the visual imprint of the traditional building and forms a sharp contrast with the modern space design.





設計主創:吳為 www.bzsftxva.cn





Project information:

Project address: Beijing Xiangyun Township

Project Name: Tanglang Restaurant Xiangyun Township Store

Design company: Beijing IN?X House Interior Design Company

Design master: Wu Wei www.bzsftxva.cn

Design team: Jia Qifeng, Liu Chenyang, Wang Chenxi

Design area: 890 square meters

Completion time: September 2018

Photographer: Shi Yunfeng